THE IMAGINATIVE LANDSCAPES OF FRENCH PHOTOGRAPHY

Corinne Mercadier: Angels

Corinne Mercadier: Angels

Sometimes you want to step out of your daily reality and explore a different world. For me, the answer lies in the imaginative landscapes of French photography. I have admired it ever since I brought one into my home. Let me introduce you to one of my favorites.

THE WORLD THROUGH THE EYES OF CORINNE MERCADIER

I first came across Corinne Mercadier’s work a few years back when I discovered the dreamy scenes of her 2009-2015 Solo Series. The darkened images, staged and shot on the Southwest Mediterranean beaches of Corinne’s childhood evoke memories and are full of playful props. The almost monochromatic landscapes reminiscent of lunar surfaces can feel solitary, but they still pull you in. Step in and see if you, too, can push that ball, twirl that stick, make magic. It’s only appropriate in a world where photographs carry mysterious names such as “Fata Morgana” and “Toute Pensée”. I fell in love with “Magnetik” and it still brings me joy every time I look at it in my home.

A few years later, I had a chance to revisit Corinne’s work. (Well, I never really left it, I kept returning to her website to see what she’s been up to.) She’s added more color while keeping the mystery and intrigue. The more recent (2015-2017) series aptly named “Le ciel commence ici” (“The sky begins here”) is busier, more theatrical and full of energy. Your eye can’t help but notice all the action: A sphere flying through the space, geometric objects that cast double shadows, nondescript people moving through the space. At times, it’s hard to see what’s suspended in the air and what’s moving at full speed. I like it just as much, if not more, than her previous work. I have a feeling I will be adding to my collection. The only hard choice is figuring out which piece I like the best.

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In recent years, Corinne’s moved back to a more monochromatic theme with her “Espace second” work that walks you through emptied mansions, down darkened hallways and past imposing doorways that invite you to take a peek what lies behind. And, as is now to be expected from Corinne’s work, throughout it all, your companion and guide remains anonymous, leaving you to imagine what story they would tell if only they could speak.

Corinne Mercadier started her photography career with a Polaroid SX70, which she used until 2008 before moving to digital photography. Her work continues to captivate audiences and she’s won awards for her celestially inspired work, including the Prix Altadis in 2001 and a finalist position at the Prix de l’Académie des Beaux-Arts Marc Ladreit de Lacharrière. Her photographs are in the collections of the Maison Européenne de la Photographie, Paris; FNAC, Paris; the Bibliothèque Nationale, Paris; and the Polaroid Corporation Collection. You can also find her work at the Galerie Les Filles du Calvaire in Paris, and at the Alan Klotz gallery in New York. You can also explore it directly on her website. I love Corinne’s work and I hope that you will, too.

All photos in this post are by Corinne Mercadier.

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