Moving into the next section, Stano switches gears. Here, he places simple geometric forms out in nature (sadly, I did not snap a picture there). It’s an interesting contrast — the wildness of the outdoors meeting the clean lines of man-made shapes.
There is also a section of the show called “White Shadow” where the artist plays with printed negatives of his work. I didn’t love the “White Shadow” as much (it felt a bit heavier and less connected to the rest of the show), but the idea still made me think.
For those who know me already will have guessed that one of my favorite parts was seeing the portraits Tono Stano created for the Karlovy Vary Film Festival. Those portraits capture a kind of effortless cool that makes you want to know the story behind every face. And the famous faces clearly play along with the story that the photographer dreamt up for the shoot! Apart from the photographs themselves, I loved finding out that he’s not just the man behind the camera. He also designed the Karlovy Vary Film Festival’s Crystal Globe back in 2001!
I enjoyed reading about his magazine collaboration with Aleš Najbrt, too. Such a cool example of two creative minds coming together to build something iconic.